What is The Difference Between Piano and Organ?
Editor's comments/ Playing the piano and playing the organ is quite different. You can find out all the main differences by reading this very well written article.
Since the release of our latest GospelKeys Organ 350 & 450 courses, my students have been thrilled that I've finally branched out to teach the organ (...actually on my editing machines as we speak are Hear & Play Drums, Vocal, and Guitar courses that you'll hear about *very* soon). ...But back to the organ... Some people have also been a little confused because they thought that there wasn't much of a difference between playing the piano and organ. Questions have looked like this: "I thought if I learned patterns and how music works, that it should work on the piano and organ since music doesn't change..." (or) "Can't I simply take what I know on the piano and transfer it to the organ?" (or) "My friend told me that playing the piano and organ are pretty much the same thing as long as you master the foot pedal." All of these assumption are partly true. Music is music and chord progressions are chord progressions. If a song ends on a 2-5-1 progression on the piano, of course it would end the same way on the organ. However, *how* you play the chords and operate the organ is TOTALLY different than the piano. In other words, if you compare a great keyboardist to a master organist, you'll notice differences in how they play chords (even though they are playing similar progressions). The synergy between the left hand, right hand, and bass pedal on the organ allows you to approach the organ in a whole different way. Here are some of the things that change on the organ:
- How you voice chords (now you're playing two-handed voicings and using your foot to walk the bass). - How you connect various chords together (i.e. - "chord progressions"). Using inversions and "common note" transitions is very important. - The third element... there is no foot pedal on the piano so this is a new addition, alone. - Functions, volume control, switches: You can't just turn on the organ and play (like the keyboard / piano)... you are constantly changing switches and pulling out drawbars to create the sounds you want. ... and this is just a handful of differences. There are lots more. If you're really interested in learning the organ (... and really mastering it), I invite you to visit:
http://www.hearandplay.com/organtips to learn more. At http://www.hearandplay.com/organtips you'll learn: * How to play uptempo praise songs using my award-winning 5-step process and tons of bass lines, right-hand chordal movements, "runs," "licks," and more! * How to incorporate the "third element" into your playing to produce the sound of a full band, especially if you're the only musician! * Discover the secrets to playing hundreds of "call-and-response" hand-clapping praise songs in all 12 keys just by knowing a few well-known organ patterns! * Learn how to play common progressions and turnarounds like the "1-4," "7-3-6," "6-2-5-1," and how to apply them to your favorite congregational songs like "Bless that Wonderful Name of Jesus," "God is a Good God," and more! * An "over-the-shoulder" and "behind-the-foot" look at how to combine the power of the foot pedal, left hand, and right hand and what it takes to play all three of these components in sync. * Over 40 bass runs, chords, progressions, and fill-ins to apply to your organ playing right away! After learning these things in all 12 keys, you'll instantly have over 480 chords to add to your gospel playing toolbox. * Discover the secrets to playing worship music by learning chords and voicings for every tone of the diatonic scale. Once mastered, you'll be able to seamlessly connect multiple advanced worship chords together to play full-sounding songs. * How to play monster chords and how to voice and invert them in non-conventional ways!
NO ADSENSE ACCOUNT SELECTED FOR GOOGLE ADSENSE * Explore major, minor, dominant, diminished, sevenths, ninths, elevenths, thirteenths, and altered voicings from every scale degree, even tones that are not a part of the scale (transitional chords). * How to pick the best inversion of a chord based on your melody and how to use your left hand and bass pedal to support what your right hand is playing. * The power of polychords: How two separate smaller chords can creatively come together to form larger "fancy" chords. * Tons of "opening" and "closing" chords to pull out of your treasure chest at the right time! With your increased chordal vocabulary, you'll never begin and end a song on the organ the same way twice because you'll have dozens of options to choose from. * And much more... For more information, visit: http://www.hearandplay.com/organtips
Author Bio Box
Jermaine Griggs is a 22-year old pianist extraordinaire, business entrepreneur, and minister. Jermaine has taught thousands of people to play piano by ear. Jermaine owns a host of companies, including The Hear and Play Music Group, GospelKeys Productions, and tonnes of other websites. Check out his main site here: http://www.hearandplay.com/418921
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